Exhibition 'Sporen van Smaragd' on the 55th Tong Tong Fair
On Friday the 31th of May I went to the symposium 'Shared Heritage' by Sporen van Smaragd ("Traces of Emerald") on the Tong Tong Fair in Den Haag. An interesting day with great lectures, a good conclusion of a very successful project. Many great architectural finds were made during the three years of research. Not only the charismatic bricks and stained glass has been mapped out, also the inhabitants and the clients. It's an important part of our cultural heritage in which emigrants from the Dutch East Indies left their traces of emerald not only in buildings, but also in literature, art, music and the cuisine of the Netherlands.
Frans Leidelmeijer with Louis Couperus's 'De Stille Kracht' with a batiked cover
Example of Batik being made in the Netherlands
Frans Leidelmeijer gave an interesting lecture about Dutch East Indies influence on the Dutch art scene. Great examples are found in the Dutch version of the Arts and Crafst-movement, De Nieuwe Kunst. Batik was a popular craft and was used in many different ways by artists in the Netherlands. Leijermeijer's lecture contained many interesting artworks, but his story was a bit chaotic and he mentioned a lot of names and dates, but only once. Fortunatly the great publication by Sporen van Smaragd also gives attention to this subject in both text and image.
Leidemeijer's lecture ended with a very nice surprise,
I first saw
Correction: The painting of Raden Ajoe is not by Paul Citroen but by a pupil of him at the Haagse Kunstacademie. Corry Muhlenfeld. See the comment on this post by Frans Leidelmeijer himself.
Dr. Marty Bax with Batik examples
In the lecture by Dr. Marty Bax the hidden Indonesian influence in architecture in Den Haag was unravelled. The Amsterdam School is a style of architecture that arose from 1910 through about 1930 in The Netherlands. With the economic prosperity in the Netherlands, due to the colonies, art developed rapidly. Architects could design entire buildings including the interiors. It were the heydays for architects like H.P. Berlage and K.P.C. de Bazel. Marty Bax made some nice comparisons between buildings made in the style of the Amsterdamse school and Buddhist temples. De Lijn, the line, formed the basis for their architecture. The flow through the building had to be like a meandering line, like life energy, Chi. Gemeentemuseum De Haag by H.P. Berlage makes this very visible, wondering through the halls you get the feeling of being led flow instead of directions.
The modern Amsterdamse school use of squares, circles and triangles as patterns, wasn't so modern after all. The use of patterns could be easily traced back to Batik motifs. Bax used the great slide (see picture above) to demonstrate this.
The Dutch East Indies left a clear line in our history and if you just know where to look, you'll find it on many places. The influence in not only found here of course, but also oversees. Ben de Vries from the Rijksdienst voor het Cultureel Erfgoed gave an very interesting presentation about station architecture in Indonesia from the Dutch East Indies. And the preserving of colonial buildings abroad was extensively discussed. It is a very interesting subject and a lot is happing at the moment. A VOC building in Publicat is going to be saved from being demolished, Louis Couperus home were he wrote 'De Stille Kracht' is discovered and on Sunday mornings in Indonesia the colonial time is being acted out with role playing. I will save this subject for another post, try to visit the exhibition “Vroeger is een ver land” ("The Past in a Foreign Country") at the Tropenmuseum first!
Drs. Ben de Vries gave an inspiring presentation
Monarch kite at the entrance of the Tong Tong Fair
More information about the interesting project by Sporen van Smaragd on www.sporenvansmaragd.nl and in my blogpost 'Traces of Emerald'. Also a very beautiful publication (in Dutch) is made!